The DC Sociological Society honors Mosaic Theater Company with the 2025 Anna Julia Cooper Award for Public Sociology by a Community Organization.
Founded in December 2014, Mosaic Theater Company’s first leadership team (Ari Roth from Theater J, Serge Seiden from The Studio Theater, and Jennifer L. Nelson from the African Continuum Theatre Company) began building a mission-driven theater focused on intercultural narratives, social justice issues and civic discourse. In 2016, Mosaic became a resident partner at the Atlas Performing Arts Center, an H Street NE venue on a corridor connecting “East of the River” neighborhoods and Maryland counties to downtown DC. In 2021, as Mosaic welcomed audiences back to the theater, DC-based director, producer and new play advocate, Reginald Douglas, was appointed Mosaic’s Artistic Director.
Mosaic asserts a mission to “produce bold, culturally diverse theater that illuminates critical issues, elevates fresh voices, and sparks connection among communities throughout our region and beyond.” The company articulates values grounded in the pursuit of shared goals and recognition of shared humanity in the process of inquiry into social issues, and engages this sociology-informed process in making art against oppressive systems—art infused by the different backgrounds and experiences among artists and audiences in a space that honors marginalized voices.
Two recent productions (among many possibilities) illustrate Mosaic’s movement toward sociological understanding of and challenges to systemic oppression: The Till Trilogy has at its core the racist violence that has long been inflicted on Black bodies. cullud wattah illuminates the structural embeddedness of racist violence.
In fall 2022, The Till Trilogy (by Ifa Bayeza and directed by Talvin Wilks) contemplated the life, death, and legacy of Emmett Till, whose murder in 1955 remains a pivotal moment in American history. Three plays (The Ballad of Emmett Till, Benevolence, and That Summer in Sumner) present ten actors performing in rotating repertory. With music, poetry, and sociological imagination, the trilogy portrays the ongoing fight for racial justice and offers audiences of all ages an opportunity for collective reckoning.
The current production cullud wattah (by Erika Dickerson-Despenza and directed by Danielle A. Drakes) centers the Flint water crisis. Set in 2016, it has been 936 days since Flint, Michigan, has had clean water. Third-generation General Motors employee Marion is on the verge of a promotion when her sister begins participating in social protests accusing the company of poisoning the water. The situation pushes the tight-knit family to confront their past and weigh their options for the future.
DCSS is pleased to honor Mosaic Theater Company with the 2025 Cooper Award acknowledging the company’s mission and values; the crucial social problems they seek to confront by deepening their sociological understanding of systemic oppression through engagement with social movement analysis; and their compelling productions coupled with sociology-informed programs of public engagement. Artistic Director Reginald Douglas will accept the award at the 2025 awards celebration on April 30. We encourage all DCSS members and supporters to attend!